
It is fantastic! This book, full of very fun onomatopoeia and plot surprises, was written by the author of other classics I'm sure you know: Blueberries for Sal and Make Way for Ducklings.

Our homeschool day starts with breakfast. I wake up (around 7:30) and eat breakfast before the kids wake up, so I can make this time productive. I wake up any sleepy heads at 8am. That's when our day begins. While they're eating their oatmeal (or whatever Kyle made for us), I read our Bible study. I read a Psalm, a Proverb, and whatever verse Pastor Jesse preached on the last Sunday. By this time, everyone's finishing up eating. Then we go over our memory verse a few times. Finally, we practice whatever poem we're working on.
After breakfast, I plop down in a kitchen chair to supervise table chores. I just sit there, but I am accomplishing much. The children stay on task when I'm present.
Daniel and Lydia are still responsible for the dishwasher, but now they are responsible for the silverware too. (I always make them wash their hands first. ;) )
Isaac has the least amount to do on this day, so he helps Daniel and Lydia with their 2 pages of phonics worksheets. (Get Ready for the Code.) Julia-the-Funky-Headed supervises, but doesn't help at all. She never helps anyone come to think of it.
While Daniel and Lydia are doing their phonics, I'm supervising Elena and Chloe's Latin lesson. (Maya and Isaac used to do this, but they kept mispronouncing the words, so I decided to have them wait. Reading and writing first, right?)
While Elena and Chloe are doing Latin, Maya is upstairs reading along to Robinson Crusoe while the audiobook plays. Her comprehension is very good, but her phonics is coming along very slowly. I decided not to hold her back from good literature.
Maya is still listening to her audiobook; Elena and Chloe have finished Latin. Elena is now in my room doing long division. She cannot handle any distractions at all during math, but I figured out she also gets lonely being banished to my room, so I work out a time when I can sit with her.
While Lydia and Daniel are doing their chores and then getting dressed for the day, Isaac is doing copywork. He is a perfectionist, but as a boy, he hates handwriting, so this takes him awhile.
While Isaac is doing his copywork at the table, Chloe's doing her math drill. She's currently taking a break from multiplication until she gets all her facts down.
Elena has finished her math quickly, since I'm there and she's not distracted. So now, she reads Mother Goose to Daniel and Lydia. Each of the big kids get a day to read to the littles. We're taking our time working through Ambleside Year 0.
While Elena's reading to the littles, Chloe is doing her reading. She loves biographies, so I picked up a bunch of Christian Heroes for Young Readers. She loves these.
Lydia and Daniel are now done with their school for the day. They're now upstairs playing while Elena does her copywork.
Daniel and Lydia are playing upstairs or outside, and I've just put Julia down for her nap. It's now about 11am. I gather the four big kids and we do our history and/or science readings. (Maya was taking the picture.)
After reading time, we take a break and all have a snack.
When children get to school age, there's a temptation to ask them lots of questions about the book they're reading. DON'T DO IT! School teachers ask kids: Who's the main character? What was the setting? etc ad nauseum because they have no idea if little Miranda actually read the book or not. They have to ask these questions to make sure the child is actually reading the book assigned. That said, it does kill the love of reading.
I haven't blogged about Charlotte Mason in a long time. For those who don't know what I'm talking about: living books are one of the main things that set a CM education apart. Living books are the opposite of dry textbooks.Oh, that's easy! That's one where they say: "One more chapter, Mommy, one more chapter!" That's a living book!

Handwriting can make kids cry. I think Charlotte knew this. She said it would be better to have a single line of perfect As, than a whole page of progressively sloppy ones.
One of the key distinguishing features in the CM approach to education is her focus on short lessons. We cover a lot of subjects each week, but each subject is given 5-20 minutes each. For instance, poetry and copywork only take 5 minutes/day. For math, I set the timer for 15-20 minutes, depending on the topic and we stop whether a page is completed or not. Literature is the one subject where we may spend more time. We listen to audio CDs in the car, or we snuggle on the couch while I read a story we all love. But if possible, I always always stop with a cliffhanger. Better to have them begging for more than asking me to stop!
"What is the point of literature-based education?"Textbooks are written by many authors who each know a little bit about the subject their writing about. Living books are written by one author who is passionate about their topic. For instance, Thornton Burgess was a veterinarian. He wrote many living books, which are basically field guides to specific animals (The Burgess Bird Book, The Burgess Animal Book) but in narrated format. They read like a story, but while my kid is entertained by the sweet story, they are learning what the bird looks like, what he eats, where he lives, who his enemies are, and what he does when pursued by an enemy. I love that!
I'd like to thank my friend, Jody, for asking me her sincere questions about Charlotte Mason's educational philosophy. "What is the point of CM approach?"To create a love of learning in the child.
"Does it truly take 6 hours of outdoor time a day to love the Creator?"No, I definitely don't think 6 hours is required to love the Creator of the nature we're studying. And while I think she was being quite idealistic in even recommending that much time, I don't think her point was that quantity of outdoor time = more understanding, more love, or more academic knowledge.
"What is the point of all that narration?! "
First of all, narration isn't meant for every single subject and it is accomplished in many differerent ways (telling the story back, acting out the play, drawing the animal I'm reading about, etc.) Each child (at this age) spends about 5-10 minutes total narrating each day. Narration is composition, learned orally before it is learned in writing. Children learn to express their ideas orally first by telling back what they have learned. Then later, when they need to learn how to write an essay, they only have to write out what they have already learned to express and organize. In schools, children have to learn to write out their thoughts before they even know how to organize them. CM figured out that it works better the other way around. I think that's genius.
Last night at book club, the topic was nature study. Charlotte Mason was a big believer in the value of being outdoors. Here's what she says:- taken from Home Education (Modern English version) by Charlotte MasonA mother may brag, 'I make sure to send my children outside, weather permitting,for an hour every day in the winter and two hours in the summer.' That's a good start, but it's not enough. They should be long days spent outside--not two, but four or even six hours on every tolerable day from April til October. Long hours in fresh air is the ideal for children. It may not be practical for every family, but when mothers understand the good that a measure can do, they will often work miracles to provide it.
Read-Alouds for Four-Year-Olds
Read-Alouds For Three-Year-Olds
The Complete Tales & Poems of Winnie the Pooh by AA Milne and Ernest H. Shepard
All Beatrix Potter books
The Little House by Virginia Burton
The Story About Ping by Marjorie Flack
The Little Engine that Could by Watty Piper
Blueberries for Sal by Robert McCloskey
Make Way For Ducklings by Robert McCloskey
One Morning in Maine by Robert McCloskey
Ferdinand by Munro Leaf
Ox-Cart Man by Barbara Cooney
Stone Soup and other folk tale retellings by Marcia Brown
Miss Rumphius by Barbara Cooney
The Story of Little Babaji by Helen Bannerman
Brer Rabbit books by Joel Chandler Harris
Poems and Prayers for the Very Young by Martha Alexander
A Child's Garden of Verses by Robert Louis Stevenson
A good collection including classic stories and folktales such as The Little Red Hen, The Gingerbread Man, Goldilocks and the Three Bears, The Three Billy Goats Gruff. Aesop's Fables
Mother Goose collection
Poems for Young Children compiled by Caroline Royds
The Oxford Book of Children's Verse edited by Peter Opie
The Church Mice and others in this series by Graham Oakley.
Hiawatha by Longfellow, illustrated by Susan Jeffers
Paul Revere's Ride by Longfellow, illustrated by Ted Rand
My Shadow by Robert Louis Stevenson, illustrated by Ted Rand
Picture books depicting Just So Stories by Rudyard Kipling, such as The Elephant's Child
Roxaboxen by Barbara Cooney
The Tale of Three Trees illustrated by Angela Elwell Hunt
Wynken, Blynken and Nod illustrated by either Susan Jeffers or Barbara Cooney
Taken from Ambleside Online.

We owe it to every child to put him in communication with great minds that he may get at great thoughts; … and the only vital method of education appears to be that children should read worthy books, many worthy books.
-Charlotte Mason, A Philosophy of Education
I used to be really concerned about geography. It was an important subject to me as I didn't retain much that I learned in school.